“We can’t just walk up in people’s neighborhoods and not come the right way—it’s not going to end well for you.” In this Detroit is Different conversation, Marlin Williams—Founder of Intentional Technology and the force behind Sisters Code—shows why tech decisions are really decisions about people, power, and legacy. From Alabama roots to growing up on Commonwealth and Six Mile/Outer Drive, Marlin traces how Legacy Black Culture travels: migration, church, cousins, and the “nice to be nice” relationship code. She remembers entrepreneurship before the label—Amway, pots-and-pans parties my parents held—and says the real lesson was making folks feel “like they’re the only person in the room.” Then she takes us into Cass Tech, FAMU freedom, Wayne State, and Compuware’s 13-week programming gauntlet—“seven languages in 13 weeks”—that launched her into building systems behind banking and auto. Marlin reflects on helping move Compuware downtown with community-minded intent, and how Sisters Code was born onstage when she saw people “getting left out.” Today, her mission is simple: be intentional—“make sure your work gets all you need”—so our organizations save time, money, and protect our peace for the future. Detroit’s past built it; our choices build tomorrow.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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“Detroit is different… it’s all because of the melanin that we’re getting from the sun.” In this Detroit is Different conversation, Brother Chungalia—an original member of the US Organization founded by Dr. Maulana Karenga, creator of Kwanzaa, and among the first to celebrate it—takes us from post-riot Los Angeles to the deep roots of Black Detroit. He calls his move here “inevitable,” recalling LA’s Congress building politics—“Jesse Jackson had an office there”—and the discipline of a movement that spoke Swahili daily. He stitches together Conant Gardens, Paradise Valley, and the Blue Bird Inn with a moment of Black memory so wild it feels like spirit work: “She remembered me… from 1959 and spotted me in 1974,” leading to “the only time I cried tears of joy.” From there, he flips elder testimony into future blueprint—“What’s the most important thing in your whole life?… breathing”—and warns that “technology is killing humanity,” pushing him to claim, “I’d rather be known… as a humanitarian,” even while rooted in Black nationalism. This episode is a bridge between the past that made Detroit’s African-centered movement possible and the future our children deserve—where the Nguza Saba isn’t nostalgia, it’s a survival manual for Legacy Black culture today.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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“Politics taught me and prepared me for a world that is more political than politics.” Wayne County Commissioner (District 2) and 13th Congressional District Democratic Party Chair Jonathan Kinloch joins Detroit is Different for a Detroit-rooted, world-spanning conversation that starts at Second & Myrtle—“you know you’re Detroit when you remember” it was once Myrtle, now MLK—and reaches back to South Carolina and New Jersey family migrations. Kinloch breaks down how elders like Erma Henderson wrapped their arms around a young volunteer, handing him the City Charter and saying, “I want you to read that and… explain it to me,” then sending him to police, planning, and historic commission meetings to learn how power really moves. From Northwestern’s Motown pipeline—meeting Esther Gordy Edwards—to giving artists civic honors, Kinloch reveals the thread between culture and governance: legacy is built when we protect the block, the schools, and the ballot. He names Reagan-era disinvestment, party infrastructure fights, and why “this bipartisan thing is… bull crap” when working families need results. This episode ties past and future Black Detroit: migration, mentorship, music, and the mandate to organize precinct by precinct so our people steer what’s next. Tap in for stories, strategy, and Detroit love.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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There’s this interesting thing with time where the past collapses within the present.” Triniti Watson—Curator-in-Residence at the Boggs Center for Nurturing Community Leadership and visionary lead of The Critical Mix—pulls up with Detroit roots deep as the Great Migration and a mission to make “lost histories… more visible.” From her grandma’s West Side St. Mary’s Street house—Jeopardy on the big block TV, journals, photo albums, and “these are your people” images—Triniti traces how Black women become the “OG archivist,” holding our stories when institutions and trauma leave gaps. She breaks down how COVID-era stillness pushed her to say, “I cannot allow an institution to define who I am,” and why memory work is freedom work. Then she invites Detroit into the Boggs Center’s 30-year legacy with First Fridays (1–4 PM), where community safety history meets Detroit’s sonic future: DJs create mixes responding to texts from the exhibit, so visitors feel “the textures of liberation” while learning the names, movements, and traditions that built us. The series launches Friday, February 6, 2026 for Black Histories/Black Futures Month—pull up, bring friend, and follow @boggscenter for updates. Free, intergenerational, and Detroit as ever—Legacy Black culture remembered on purpose, and remixed for what’s next.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
"We really have exactly 100 years in Detroit,” Arthur Chapman says, and that one line sets the whole episode on fire—because this isn’t just jewelry, it’s Legacy Black Detroit economics. Arthur walks us from Yazoo City, Mississippi to Black Bottom, where family relationships became the real infrastructure, and where his grandfather “Daddy E” (Eli Chapman) stayed in motion as a serial entrepreneur—record store, bowling alley, whatever it took—before a bus driver’s tool of the trade opened the door: pocket watches. When the DSR/DDOT watch vendor retired, Eli didn’t hesitate: “I’ll give you X amount of dollars for your inventory and for your contract with DDoT,” and a work relationship turned into a supply chain, then into rings, diamonds, and Detroit success. Arthur also names the barriers—“There were no jewelers willing to sell to him”—and the breakthrough moment when a supplier finally said, “As long as your money is green, I’ll do business with you.” We hear how safety, community, and partnership mattered—“you are your security”—and why returning home for Arthur was the future: Detroit is the culture that raises the next generation, because the goal isn’t just survival, it’s to “go a thousand years.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
“It’s for the community. It’s about the community. It is community centered”—and Bryce Huffman brings that energy from the first minute, taking us from deep family roots (“Granddad… from Alabama by way of The Bahamas”) to the neighborhoods that raised him—Conant Gardens, Anderson Memorial, Bagley/University District—where “thank God because this is my city” isn’t just a line, it’s a life stance. In a conversation packed with Detroit geography, humor, and hard truth, Bryce breaks down how growing up across the city (and seeing the suburbs up close) shaped his lens on journalism, power, and Legacy Black culture—our churches, our hustles, our street-corner wisdom, and the stories outsiders miss. He opens up about the moment Ferguson flipped his purpose—“I can use these skills… to force people to talk about things that matter”—and how that throughline led him home to Bridge Detroit. Looking ahead, Bryce lays out a 2026 vision rooted in “civic accountability,” including Bridge’s Porchside series in District 5, where residents invite journalists into the neighborhood to talk solutions—because the future of Detroit depends on people knowing “what can you do about it?”
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
“You don’t know that you live in a Black city until you leave.” Aaron Foley pulls up to Detroit Is Different with that truth and four generations of Detroit in his pocket—from Conant Gardens to the North End—unpacking how Legacy Black culture was built through homes, institutions, and the Black press. He paints his great-aunt Joyce's house as “JoAnn Fabrics full of patterns and clothes,” a creative HQ where couture fashion shows happened in the living room, and laughs at family lore: “I kicked that man out of my dressing room,” his grandmother’s story after mistaking Lou Rawls for an intruder. From Pershing to Northern, Four Tops doo-wop to Smokey “out in these streets,” Foley shows how Detroit genius was neighborhood-deep. Then he brings it to the Michigan Chronicle, where he grew up watching the paper “come to life,” learning why “papers like The Chronicle…were very important in documenting our stories.” Now back at the Chronicle himself, he’s focused on “what kind of stories…you can only read this in The Chronicle,” writing pieces meant to “stand the test of time” and seed the next wave of Black journalists. This episode is a love letter to our past—and a blueprint for our future.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
“My life will be better if everybody else’s life gets better”—that’s the heartbeat of this Detroit is Different conversation with musician and lifelong activist Bill Meyer, where jazz isn’t just sound, it’s a human-rights practice. Bill takes us from his family’s Depression-era move from Canada to Detroit, to learning piano out of pure little-brother defiance—“the only way I could stop him was if I went and sat on the piano bench”—and into the moment he first saw racism up close as a child and knew something was deeply wrong. He breaks down how he didn’t understand “the politics” of jazz until college, when Vietnam-era organizing radicalized him, and he started naming the truth: “Jazz is black music,” and too often “the black people created it…and the white people made all the money.” From producing a 1987 Detroit tribute to Paul Robeson to building a 24-year jam-session institution at Bert’s, Bill calls community-building “a political project”—using music to cross lines, support Black business, and push peace and justice. This episode connects past movements to future ones with a simple charge: “Music is love…bring people together.”
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
“I wanted a red brick house in Detroit. That’s all I wanted.” In this Detroit is Different studio sit-down, Misha Stallworth West—Senior Program Officer at the Ralph C. Wilson, Jr. Foundation—traces a five-generation arc from Selma to Detroit and family full of community organizers. She remembers a “stoic” grandfather, and a grandmother Alma Stallworth nicknamed “the Rep,” whose fierce love for children helped shape the Northwest Activity Center, Beaubien Junior High, and the Black Caucus Foundation of Michigan’s drug, tobacco, and violence prevention work. Misha explains how growing up in meetings made her “a well-trained introvert,” and why she’s “never asked herself if I’m allowed to speak in any space—ever.” From Grant Park Chicago IL on election night of Barack Obama, to part of Detroit’s first school board after emergency management, she connects Legacy Black Detroit’s political education to today’s care economy. Her current focus is caregivers of older adults: “every time you go get a box for my auntie house, I’m talking about you,” and “you can’t pour from an empty cup.” This episode is a blueprint for how Detroit’s past-built institutions can power our next future. and how we honor elders.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher.
Comment, suggest and connect with the podcast by emailing [email protected]
“You don’t get a blueprint in Detroit—you just have to be good and consistent.” Spoken word artist, poet, experience creator, and filmmaker Natasha T. Miller joins Detroit is Different for a deeply grounded conversation on what artistry means when it’s rooted in family, responsibility, and legacy Black culture. With humor and honesty, she reflects on being “300 cousins deep,” tracing her lineage back to Highland Park and a 14-bedroom family home that survived without lights or water—proof that Detroit creativity has always been born from endurance. T. Miller opens up about grief, raising her nephew after the loss of her brother, and how those life shifts reshaped her art: “It wasn’t a burden—it was what I was supposed to be doing.” She challenges the myth of the starving artist, insisting that sustainability is part of integrity: “If you’re making a decision to be a professional poet, you need to make money in that decision.” From the explosive era of Detroit’s spoken-word movement to her current work archiving grief, parenting, and memory through film and performance, this episode connects past and future. It’s a testament to Detroit’s experimental spirit—where art feeds community, accountability fuels creativity, and legacy is something you actively build.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher.
Comment, suggest and connect with the podcast by emailing [email protected]