“The one thing I would tell the younger generation is to never stop learning.” In this special Detroit is Different x I Am a Genius collaboration, host Candace Cox-Wimberly (She’s a Genius / I Am a Genius) sits with Brandon Young, CEO and co-founder of Safety Ops Specialists, for a conversation that feels like Detroit porch wisdom with a business plan attached. From “Linwood… the stumping grounds” to “east side, also downtown,” Brandon maps how Legacy Black Detroit raises builders—wearing “suits since I was two years old,” shaped by the Nation of Islam, Aisha Shule, and the discipline of being “unapologetically me.” He breaks down entrepreneurship as “getting your time back,” but keeps it real: “It doesn’t start off the gate… you need to… build… a well-oiled machine.” The interview hits deep when Brandon shares how grief became fuel after losing his brother to COVID: “That pain pushed you forward,” leading him to create “between 50 and 60 jobs” and watch people go from “sleeping in their car” to “now I got a house.” He ties mentorship to survival—“closed mouth don’t get fed”—and ends with Detroit prophecy: “our work ethic is second to none.” This episode connects our past discipline to a future of entrepreneurship, wellness, and community-owned opportunity.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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“Trump is not the disease of our politics—he’s just the worst symptom,” Abdul El-Sayed tells Detroit is Different, and from that line he builds a whole Michigan-rooted case for why progressives can’t just run against villains—they’ve got to run for people. In this deep, story-rich conversation, Abdul traces his Detroit foundation from an Egyptian father who “literally studied into existence the life I got to live” to a multiracial Michigan family that forced him to “explain myself to people my whole life,” and he connects that lived truth to organizing: the courage to face the bully, because “once you let them take your lunch money once you’re never going to eat lunch.” He breaks down public health as moral politics—“15 hours or 15 minutes” can mean a ten-year life expectancy gap—and calls out a system where CEOs get rich “while denying healthcare to people who they know need it.” From rebuilding Detroit’s health department (glasses vans outside schools) to refusing corporate money, Abdul lays out a liberal, progressive, activist spirit that echoes Michigan’s long tradition of labor, civil rights, and community-led power: “It’s not enough to say what you’re against—you got to say what you’re for.”
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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“You don’t get a blueprint in Detroit—you just have to be good and consistent.” Spoken word artist, poet, experience creator, and filmmaker Natasha T. Miller joins Detroit is Different for a deeply grounded conversation on what artistry means when it’s rooted in family, responsibility, and legacy Black culture. With humor and honesty, she reflects on being “300 cousins deep,” tracing her lineage back to Highland Park and a 14-bedroom family home that survived without lights or water—proof that Detroit creativity has always been born from endurance. T. Miller opens up about grief, raising her nephew after the loss of her brother, and how those life shifts reshaped her art: “It wasn’t a burden—it was what I was supposed to be doing.” She challenges the myth of the starving artist, insisting that sustainability is part of integrity: “If you’re making a decision to be a professional poet, you need to make money in that decision.” From the explosive era of Detroit’s spoken-word movement to her current work archiving grief, parenting, and memory through film and performance, this episode connects past and future. It’s a testament to Detroit’s experimental spirit—where art feeds community, accountability fuels creativity, and legacy is something you actively build.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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“I wanted a red brick house in Detroit. That’s all I wanted.” In this Detroit is Different studio sit-down, Misha Stallworth West—Senior Program Officer at the Ralph C. Wilson, Jr. Foundation—traces a five-generation arc from Selma to Detroit and family full of community organizers. She remembers a “stoic” grandfather, and a grandmother Alma Stallworth nicknamed “the Rep,” whose fierce love for children helped shape the Northwest Activity Center, Beaubien Junior High, and the Black Caucus Foundation of Michigan’s drug, tobacco, and violence prevention work. Misha explains how growing up in meetings made her “a well-trained introvert,” and why she’s “never asked herself if I’m allowed to speak in any space—ever.” From Grant Park Chicago IL on election night of Barack Obama, to part of Detroit’s first school board after emergency management, she connects Legacy Black Detroit’s political education to today’s care economy. Her current focus is caregivers of older adults: “every time you go get a box for my auntie house, I’m talking about you,” and “you can’t pour from an empty cup.” This episode is a blueprint for how Detroit’s past-built institutions can power our next future. and how we honor elders.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
“My life will be better if everybody else’s life gets better”—that’s the heartbeat of this Detroit is Different conversation with musician and lifelong activist Bill Meyer, where jazz isn’t just sound, it’s a human-rights practice. Bill takes us from his family’s Depression-era move from Canada to Detroit, to learning piano out of pure little-brother defiance—“the only way I could stop him was if I went and sat on the piano bench”—and into the moment he first saw racism up close as a child and knew something was deeply wrong. He breaks down how he didn’t understand “the politics” of jazz until college, when Vietnam-era organizing radicalized him, and he started naming the truth: “Jazz is black music,” and too often “the black people created it…and the white people made all the money.” From producing a 1987 Detroit tribute to Paul Robeson to building a 24-year jam-session institution at Bert’s, Bill calls community-building “a political project”—using music to cross lines, support Black business, and push peace and justice. This episode connects past movements to future ones with a simple charge: “Music is love…bring people together.”
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
“You don’t know that you live in a Black city until you leave.” Aaron Foley pulls up to Detroit Is Different with that truth and four generations of Detroit in his pocket—from Conant Gardens to the North End—unpacking how Legacy Black culture was built through homes, institutions, and the Black press. He paints his great-aunt Joyce's house as “JoAnn Fabrics full of patterns and clothes,” a creative HQ where couture fashion shows happened in the living room, and laughs at family lore: “I kicked that man out of my dressing room,” his grandmother’s story after mistaking Lou Rawls for an intruder. From Pershing to Northern, Four Tops doo-wop to Smokey “out in these streets,” Foley shows how Detroit genius was neighborhood-deep. Then he brings it to the Michigan Chronicle, where he grew up watching the paper “come to life,” learning why “papers like The Chronicle…were very important in documenting our stories.” Now back at the Chronicle himself, he’s focused on “what kind of stories…you can only read this in The Chronicle,” writing pieces meant to “stand the test of time” and seed the next wave of Black journalists. This episode is a love letter to our past—and a blueprint for our future.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher.
Comment, suggest and connect with the podcast by emailing [email protected]
“It’s for the community. It’s about the community. It is community centered”—and Bryce Huffman brings that energy from the first minute, taking us from deep family roots (“Granddad… from Alabama by way of The Bahamas”) to the neighborhoods that raised him—Conant Gardens, Anderson Memorial, Bagley/University District—where “thank God because this is my city” isn’t just a line, it’s a life stance. In a conversation packed with Detroit geography, humor, and hard truth, Bryce breaks down how growing up across the city (and seeing the suburbs up close) shaped his lens on journalism, power, and Legacy Black culture—our churches, our hustles, our street-corner wisdom, and the stories outsiders miss. He opens up about the moment Ferguson flipped his purpose—“I can use these skills… to force people to talk about things that matter”—and how that throughline led him home to Bridge Detroit. Looking ahead, Bryce lays out a 2026 vision rooted in “civic accountability,” including Bridge’s Porchside series in District 5, where residents invite journalists into the neighborhood to talk solutions—because the future of Detroit depends on people knowing “what can you do about it?”
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
"We really have exactly 100 years in Detroit,” Arthur Chapman says, and that one line sets the whole episode on fire—because this isn’t just jewelry, it’s Legacy Black Detroit economics. Arthur walks us from Yazoo City, Mississippi to Black Bottom, where family relationships became the real infrastructure, and where his grandfather “Daddy E” (Eli Chapman) stayed in motion as a serial entrepreneur—record store, bowling alley, whatever it took—before a bus driver’s tool of the trade opened the door: pocket watches. When the DSR/DDOT watch vendor retired, Eli didn’t hesitate: “I’ll give you X amount of dollars for your inventory and for your contract with DDoT,” and a work relationship turned into a supply chain, then into rings, diamonds, and Detroit success. Arthur also names the barriers—“There were no jewelers willing to sell to him”—and the breakthrough moment when a supplier finally said, “As long as your money is green, I’ll do business with you.” We hear how safety, community, and partnership mattered—“you are your security”—and why returning home for Arthur was the future: Detroit is the culture that raises the next generation, because the goal isn’t just survival, it’s to “go a thousand years.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
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Comment, suggest and connect with the podcast by emailing [email protected]
There’s this interesting thing with time where the past collapses within the present.” Triniti Watson—Curator-in-Residence at the Boggs Center for Nurturing Community Leadership and visionary lead of The Critical Mix—pulls up with Detroit roots deep as the Great Migration and a mission to make “lost histories… more visible.” From her grandma’s West Side St. Mary’s Street house—Jeopardy on the big block TV, journals, photo albums, and “these are your people” images—Triniti traces how Black women become the “OG archivist,” holding our stories when institutions and trauma leave gaps. She breaks down how COVID-era stillness pushed her to say, “I cannot allow an institution to define who I am,” and why memory work is freedom work. Then she invites Detroit into the Boggs Center’s 30-year legacy with First Fridays (1–4 PM), where community safety history meets Detroit’s sonic future: DJs create mixes responding to texts from the exhibit, so visitors feel “the textures of liberation” while learning the names, movements, and traditions that built us. The series launches Friday, February 6, 2026 for Black Histories/Black Futures Month—pull up, bring friend, and follow @boggscenter for updates. Free, intergenerational, and Detroit as ever—Legacy Black culture remembered on purpose, and remixed for what’s next.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher.
Comment, suggest and connect with the podcast by emailing [email protected]
“Politics taught me and prepared me for a world that is more political than politics.” Wayne County Commissioner (District 2) and 13th Congressional District Democratic Party Chair Jonathan Kinloch joins Detroit is Different for a Detroit-rooted, world-spanning conversation that starts at Second & Myrtle—“you know you’re Detroit when you remember” it was once Myrtle, now MLK—and reaches back to South Carolina and New Jersey family migrations. Kinloch breaks down how elders like Erma Henderson wrapped their arms around a young volunteer, handing him the City Charter and saying, “I want you to read that and… explain it to me,” then sending him to police, planning, and historic commission meetings to learn how power really moves. From Northwestern’s Motown pipeline—meeting Esther Gordy Edwards—to giving artists civic honors, Kinloch reveals the thread between culture and governance: legacy is built when we protect the block, the schools, and the ballot. He names Reagan-era disinvestment, party infrastructure fights, and why “this bipartisan thing is… bull crap” when working families need results. This episode ties past and future Black Detroit: migration, mentorship, music, and the mandate to organize precinct by precinct so our people steer what’s next. Tap in for stories, strategy, and Detroit love.
Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different.
Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher.
Comment, suggest and connect with the podcast by emailing [email protected]